Theres even an arena-worthy electric guitar solo injected for good measure. Eclipsing co-star Travis Scott, Ozzy Osbourne delivers his haunting vocals on the plaintive Take What You Want, a marquee moment that threatens to steal the show, yet mainly serves to prove how brightly Malones star shined at the end of the 2010s. Well-utilized features from Future and Halsey (Die for Me), SZA (Staring at the Sun), and Swae Lee (the smash hit Sunflower) all play a part in elevating the effort, but its a left-field inclusion that provides the albums biggest shock. The aforementioned A Thousand Bad Times is a bittersweet ode that might be Malones peppiest offering to date, while the rollicking Allergic is his infectious take on pop-punk. Highlights abound, but the most interesting nuggets are the unexpected treats hiding among fine-tuned hip-hop gems like Wow and On the Road, with Meek Mill and Lil Baby. Even though the album could use some trimming - simply in the interest of retaining your attention - the big difference this time around is that theres nary a dud to be found. But instead of hand-wringing and whining about how tough it is to be rich and famous, hes found his voice, hitting out at fake friends and real foes (Enemies), failed relationships (A Thousand Bad Times, Goodbyes), and both faceless detractors and a society spiraling down the tubes (Internet, Hollywoods Bleeding). Make no mistake: hes by no means suddenly happy here. Leaning less on the overly dark trap tones and reluctant-star posturing of past works, Malone allows the genre-blending to progress naturally (Allergic), his signature vocal trill to soar (Circles), and occasionally he even lets himself enjoy his superstar status, like on Saint-Tropez. While Malones remarks are all present - his basic hip-hop/rock sound and sad guy image are still at the fore - he strikes a more well-honed balance to great effect. With a pair of multi-platinum albums and a slew of radio hits under his belt, Post Malone finally managed to match the quality of his output with a mainstream love on his third set, Hollywoods Bleeding.

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